Why You Don’t See Mini-Series on Broadcast TV Anymore

Viewers love watching mini-series. Writers love writing them. So what the $#@! happened to them? According to Kimberly Potts, the answer is simple: Nothing personal. Just “business.

Why Broadcast Networks Killed the Miniseries

By Kimberly Potts

“Roots.” “Shogun.” “Rich Man, Poor Man.” “The Thorn Birds.” “North and South.” “Gulliver’s Travels.” Those classic broadcast network miniseries from the 1970s, ’80s and ’90s made for marquee television. They were multi-night programming events that drew people to their TVs in numbers unachievable today outside televised sporting events. They won awards for their networks.

And then the networks stopped making them. The last broadcast-network miniseries to receive an Emmy nomination was CBS’ “Elvis” in 2005 — and in 2011, there were so few miniseries in the running on both broadcast and cable networks that the Television Academy surrendered to the inevitable and folded the Outstanding Miniseries category into a newly combined category, Outstanding Miniseries or Movie.

What happened?

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About LB

Larry Brody has been profiled in such national magazines and websites as Esquire, Entertainment Weekly, Starlog, People, Electronic Media, IndieSlate, TechTV, io9, and of course TV Guide.

A legendary figure in the television writing and production world, with a career going back to the late ’60s, Brody has written and produced literally thousands of hours of network and syndicated television.

Brody has also been active in the TV animation world, writing, creating, consulting, and/or supervising the cult favorite STAR TREK animated TV series, the SILVER SURFER, SPAWN, SUPERMAN, SPIDERMAN, and SPIDER-MAN UNLIMITED animated series, and was showrunner of the French animated series, DIABOLIK, as well as part of the team that developed and wrote the live-action/cgi animation sci-fi series Ace Lightning for the BBC.

Shows written or produced by Brody have won several awards including – yes, it’s true – Emmys.