…With one proviso: Being a television writer absolutely will not help you get laid, be ye man or woman. But otherwise:
by Ken Levine
I’ve bitched in the past about the frustrations of being a TV comedy writer — notes, crappy food, etc. So you might ask: “why WOULD I want to become a TV comedy writer? What are the pluses?”
Okay, how about these?
First – a disclaimer: these points apply to when you’re in a good working situation. No matter how “dream” the “dream job” is, if your boss is a monster, your co-workers are the Manson family, and the working conditions are a notch below the Triangle Shirt Factory you’re going to be in the sixth ring of hell. But assuming you’re in a decent situation (and many of them are):
You get to work in a big Hollywood movie studio (or maybe a warehouse in Chatsworth but there are still sound stages and stuff).
Parking is provided (usually)!
You spend all day working with funny people. And I don’t mean “Funny People” like the Judd Apatow movie – these people are ACTUALLY funny.
So all day long you laugh and make them laugh. Can you think of a better way of making a living once you’re too old to be a porn star?
Without having to give thousands of dollars to charity first, sometimes hot actors and actresses on your show will hug you.
You see your name on television.
People who thought you were a total loser see your name on television.