The Hero’s Journey Meets the Screenwriter’s Journey

And now the kind of love story we understand.

An analysis of a writer’s love of storytelling. A hero’s journey indeed.

The_Hero__s_Journey_by_Dunlavey

by Loren-Paul Caplin

Why the f*%K do we do it?

Money? Fame? Love of the process? What is it? Why do we continue to write screenplays when aside from the outrageously arduous task of getting it even remotely right, the odds of then getting it sold and then made and then becoming a hit are…well, tremendously long and then… sustaining or repeating that success is, frankly, beyond daunting. Why do we do it? Whatever the answer is, as personal and complex as it might be, I personally find it not only rewarding to ponder this question, but it’s actually essential to ponder it as part of the (my) creative process.

I’ve been writing screenplays and plays professionally for over 30 years and I’ve been teaching the art and craft of screenwriting at among the best university film programs in the world (Tisch & Columbia) for nearly 20 years — and increasingly, though especially over the last decade, I’ve found myself with mixed emotions regarding the entire “screen-writing” enterprise, including teaching it. Aside from basic questions such as “how realistic is a life in screenwriting?” and “can one actually be taught creative writing?” I’ve been increasingly concerned about nonchalantly encouraging people (and especially young people) to learn how to write a screenplay…. if it blindly fans embers of unrealistic hope that they will eventually be able to make a decent living writing anything in the “Film Industry.” Maybe they will and maybe they won’t. Either way, for most people, including screenwriting stars that at least get monetary rewards, it’s a tremendously bumpy and sometimes thankless road. And yet, so many of us continue at it. Why?

So what is it? Among the answers — and there are as many as there are people asking the question — is the human need to tell stories. I’ve observed that there are those individuals that at sometime in their lives had that very specific experience of writing a story and, not unlike getting herpes, caught the writing virus — for life! And then from then on, to a greater or lesser degree, they have this bizarre desire and need to return to that state of writing a story. And when they are not writing (which is a lot of the time) there seems to be various degrees of craving (and guilt for not writing) that simply becomes part of one’s existence like a chronic nasal drip. When the craving begins to really act up it can be as visceral a sensation as falling in love and being separated from the object of your affection. The only cure, the only relief is to get back to your loved one; that state, that zone or womb of writing/creating. When you get right down to it creating a story peopled by unique characters going through an emotion-filled journey is about as powerful (religious?) an act as creation itself. No wonder it can be so damn addictive.

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