How did the geniuses of old write? Like this (or so they claimed):
by James Clear
How many people die with their best work still inside them?
We often assume that great things are done by those who were blessed with natural talent, genius, and skill. But how many great things could have been done by people who never fully realized their potential? I think many of us, myself included, are capable of much more than we typically produce — our best work is often still hiding inside of us.
How can you pull that potential out of yourself and share it with the world?
Perhaps the best way to develop better daily routines. When you look at the top performers in any field, you see something that goes much deeper than intelligence or skill. They possess an incredible willingness to do the work that needs to be done. They are masters of their daily routines.
As an example of what separates successful people from the rest of the pack, take a look at some of the daily routines of famous writers from past and present.
At the end of the article, I broke down some common themes that you can apply to your daily routines — regardless of your goals. To skip straight to those suggestions, click here.
E.B. White: “A writer who waits for ideal conditions under which to work will die without putting a word on paper.”
In an interview with The Paris Review, E.B. White, the famous author of Charlotte’s Web, talked about his daily writing routine…
I never listen to music when I’m working. I haven’t that kind of attentiveness, and I wouldn’t like it at all. On the other hand, I’m able to work fairly well among ordinary distractions. My house has a living room that is at the core of everything that goes on: it is a passageway to the cellar, to the kitchen, to the closet where the phone lives. There’s a lot of traffic. But it’s a bright, cheerful room, and I often use it as a room to write in, despite the carnival that is going on all around me.
In consequence, the members of my household never pay the slightest attention to my being a writing man — they make all the noise and fuss they want to. If I get sick of it, I have places I can go. A writer who waits for ideal conditions under which to work will die without putting a word on paper.
Haruki Murakami: “The repetition itself becomes the important thing.”
In a 2004 interview, Murakami discussed his physical and mental habits…
When I’m in writing mode for a novel, I get up at four a.m. and work for five to six hours. In the afternoon, I run for ten kilometers or swim for fifteen hundred meters (or do both), then I read a bit and listen to some music. I go to bed at nine p.m.
I keep to this routine every day without variation. The repetition itself becomes the important thing; it’s a form of mesmerism. I mesmerize myself to reach a deeper state of mind.
But to hold to such repetition for so long — six months to a year — requires a good amount of mental and physical strength. In that sense, writing a long novel is like survival training. Physical strength is as necessary as artistic sensitivity.
Ernest Hemingway: “I write every morning.”