The comedy writing rule of…twos?

duetsby Ken Levine

I have this astounding ability to watch a lot of sitcoms and pitch the jokes mere seconds before the actors say them, almost verbatim. It’s an amazing skill. Houdini never could do that. Audiences are mystified.  Talk about magic.

Of course, the truth is that after years of writing comedy I just can identify the most obvious punchlines. And there are shockingly way too many sitcoms that are guilty of this.

You might think this is a byproduct of multi-camera shows where rhythms have become stale and predictable, but single-camera shows are sometimes worse. They often resort to irony so it’s not even jokes. It’s catch-phrases or “Gee, THAT went well.”

If I can predict a joke it’s just lazy writing. Either that or the staff is just not very good. So I choose to believe it’s laziness.

What’s keeping me out of the Magic Castle is that by now you’ve seen so many sitcoms that you too can probably perform this psychic skill.

I blame the showrunners. Someone has to approve these clams. Someone has to say, “Yeah, that’s good enough.” Someone has to say, “Fine.  I’ve got Laker tickets.”

On CHEERS we had the rule of 2’s. If the writing staff was working on a joke and any two writers pitched essentially the same punchline we automatically discarded it. Didn’t even matter if it was funny.  Our feeling was that if two writers could come up with the same joke so could some audience members….

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