- Simon Rich is adapting his book, The Last Girlfriend on Earth, Man Seeking Woman, into a comedy series for FXX. (The show is described as being about a man who “enters the dating scene, a nightmarish hellscape of untold horror.” Hey, they got that right. Now we’ve just got to hope for a few laughs.)
- Dan Harmon (where have we heard that name before?) is prepping a 6th season of COMMUNITY for Yahoo, of all places, now that the show has been axed once again by NBC. (Which could mean that we’ll have to take Yahoo seriously when it comes to laughter. Um, anybody see what Yer Friendly Neighborhood Munchman did there? Anybody care?)
- Jeff Pinkner (FRINGE), Josh Appelbaum (LIFE ON MARS), Andre Nemec (STAR-CROSSED) and Scott Rosenberg (LIFE ON MARS) are co-writing the pilot for the new CBS drama series, ZOO, based on the novel of the same name by James Patterson & Michael Ledwidge. (Which means a big payday for all the writers involved, you can bet your muncher on that – and also big aggravation for the WGAW credits department, which is not known for its love of 4-person writing teams. As in they’re generally, you know, denied.)
- Bryan Fuller (HANNIBAL) & Michael Green (THE RIVER HEROES, whatever that is) are co-writing a pilot for a Starz series adaptation of Neil Gaiman‘s, um, masterpiece actually, American God. (Which my munchiness would greet with unmitigated pleasure if I hadn’t wanted that gig so #@!$ing much. But this is still the best TV development news I’ve heard since I started writing this department! Fucking AMERICAN fucking GODS!)
- Katja Blichfeld & Ben Sinclair (newbies!) have deal to move their web series HIGH MAINTENANCE to Vimeo’s new on-demand service. (In other words, the New Age of Television is upon us. Real TV on the web. This is huger than a mega-blunt. Really. Yer Friendly Neighborhood Munchie Guy congratulates Katja, Ben, and the rest of the gang at Janky Clown Prods. Oh, and Vimeo too, for doing this…for us, the viewers.)
- Dan Harmon (COMMUNITY) is in talks with Hulu about bringing that very series to Hulu Plus for a sixth season. Dude wants “six seasons and a movie” and just ain’t gonna give up till he gets ’em. (So that means, what? That munchman still has to make nice to Dan cuz the Harmonizer may continue to be a force in the industry in spite of COMMUNITY being cancelled – again – by NBC? Damn, you have no idea how much energy this takes out of me….)
- Matthew Cole Weis (STANDING STILL) has sold his spec comedy pilot, THIS IS ME to Fox. (Looks like another version of THREE MEN AND A BABY since it’s about: “a twentysomething who gets custody of his 11-year-old brother and decides to raise him with the help of his motley crew of roommates.” But, hell, my mother liked THREE MEN AND A BABY, so who knows?)
- If you know anybody at Dreamworks, or Netflix, now’s the time to kiss up cuz Netflix is committed to “several” (So…more than 1?) new seasons of DREAMWORKS DRAGONS, a spinoff of HOW TO TRAIN YOUR DRAGON that’s been airing on Comedy Central till now. (Tip: Don’t say you’re Steven Spielberg’s buddy to get the gig. Another tip: Do say you’re his son or daughter, and if that works let me know so I can give it a try!)
And today’s amazing interweb video logline is:
The raging fangirl has gathered the greatest television writers around and they’re gonna write the best TV show of all time!
… or will they?
And wait till you see the guest stars.
Created by- Leigh Lahav
Backgrounds- Tom Trager
Script- Leigh Lahav, Oren Mendez, Tom Trager
Voices- Leigh Lahav, Tom Trager
Original music- Daniel Koren
One of the joys of working here at TVWriter™ has been bopping around the web discovering things like AXE COP, a web comic created by Malachai Nicolle, who at the time was a 5 year old boy living in Washington state, and illustrated by his almost-a-quarter-century-older brother Ethan.
AXE COP is a delightful celebration of well-intended mayhem, and it’s also become very, very popular. So popular, in fact, that Fox Network bought the rights, did the usual development thing, and, voila! at the riope old age of7, Malachai Nicolle is now the creator of a TV series. AXE COP, the TV series debuts July 27, featuring the voices of Nick Offerman, Megan Mullally (aha!), Patton Oswalt, and even COMMUNITY creator Dan Harmon.
Will it work? We smell a cult classic here at the very least. Stay tuned, doods. And, while you’re waiting, watch the damn clip:
Oh, and don’t forget: This could’ve been an article about you. Still could be if you get off your duff and write/draw/shoot that project you’ve been daydreaming about for years!
In my experience, every word this man says here is true. New writers and creators, the world is yours.
After a fashion.
The next time you post a peer produced video or do anything else you can think of to crash the show business gates, tell ’em Dan and LB sent you.
- Dan Harmon (COMMUNITY) has a pick-up from Adult Swim for his animated series RICK AND MARTY, about an inventor and his grandson/sidekick. (Proving you can’t go wrong with Mr. Peabody & the Wayback Machine)
- David DiGilo (Disney Writer Program – awesome) is adapting Debra Driza’s soon-to-be-published novel Mila 2.0 into a sci-fi thriller series for ABC. (Proving that new writers should all make friends as possible with extra-hot writer-producers like Shonda Rhimes, whose company is producing this baby. )
- Jason Jones (THE DAILY SHOW) is writing the pilot for a Fox sitcom about a single guy acting as guardian for his sister’s kids. (Proving that the concept doesn’t have to be all that high when a hot actor like Steve Carell is producing, as he is here.)
- Robert Padnick (THE OFFICE) has written a sitcom pilot about four people trying to deal with their relationship problems and sold it to NBC. (Proving that if you partner up with somebody like Greg Daniels, producer of the soon to be late, lamented THE OFFICE, as Robert has, not only do you not need a high concept, no concept will work just fine too.)
- Lew Morton (FUTURAMA, ROB) has partnered with Jake Kasdan (NEW GIRL, FREAKS & GEEKS, THE ZERO EFFECT) on WENTWORTH HALL, an animated comedy for Fox. (Proving that go-to guys help cinch deals even for writers who don’t really need go-to guys.)
We trust that you’ve all learned today’s important lesson.
When NBC announced Dan Harmon’s departure from the show Community, a shock wave echoed across the Internet – at least in the households of the shows’ fans, many of whom, in addition to watching the show, religiously follow Harmon’s tumblr (whose entries are often geared toward them) and Twitter. There was an immediate backlash from these folks, who considered Harmon synonymous with the show’s success – and it revealed an interesting trend that’s emerging in TV culture right now.
In the age of instant communication, a new relationship is developing between show creators and the fans who love the shows they make. There’s unprecedent access to the writers themselves, through blogs, articles, and social media like Twitter, creating a fan community not just invested in the characters and actors in the show, but to the person behind the show.
Harmon has used this to his advantage during his tenure as showrunner, utilizing his blog as a way to reflect on episodes, address controversies that come up, and write the occasional mea culpa, explaining to fans why this or that decision was made. He often did so against the wishes of NBC executives and/or the PR department (or so he claimed), which, while thrilling to fans, most likely did him no favors with the Powers That Be.
There has been a lot of talk about how long Community will survive in the wake of Harmon’s exit: its certainly been given a less than auspicious time slot for the upcoming season – and that following a third season essentially willed into existence by loud fan community. However, Harmon, while a driving force behind the show, was certainly not the only writer who filled out the contours of Greendale’s halls. In a recent Comic Con panel, some of the writing team attested to their own commitment to keeping the show great – although their statements about being great fans of the show as it has been were less than encouraging (after all, it takes more than liking something to do it well).
Ultimately, it remains to be seen what impact Harmon’s exit will have on the innovative, dense writing that’s a hallmark of the first three seasons. It will be interesting to see how the show does, and perhaps give us insight into how the cults of personality surrounding show creators will play into the success of the shows they write (especially given that Harmon has moved on two at least two new projects already).