LB: Another Reason Why You Shouldn’t Ask Writers to Read Your Writing

Bruccoli on FSF

Whoa! F. Scott Fitzgerald was a Whole Lot Tougher Than We Thought

The next time you think about asking somebody – you know, like your favorite writer – to read your work and give you an honest evaluation, keep in mind that this is the kind of result you might get:

November 9, 1938

Dear Frances:

I’ve read the story carefully and, Frances, I’m afraid the price for doing professional work is a good deal higher than you are prepared to pay at present. You’ve got to sell your heart, your strongest reactions, not the little minor things that only touch you lightly, the little experiences that you might tell at dinner. This is especially true when you begin to write, when you have not yet developed the tricks of interesting people on paper, when you have none of the technique which it takes time to learn. When, in short, you have only your emotions to sell.

This is the experience of all writers. It was necessary for Dickens to put into Oliver Twist the child’s passionate resentment at being abused and starved that had haunted his whole childhood. Ernest Hemingway’s first stories ‘In Our Time’ went right down to the bottom of all that he had ever felt and known. In ‘This Side of Paradise’ I wrote about a love affair that was still bleeding as fresh as the skin wound on a haemophile.

The amateur, seeing how the professional having learned all that he’ll ever learn about writing can take a trivial thing such as the most superficial reactions of three uncharacterized girls and make it witty and charming — the amateur thinks he or she can do the same. But the amateur can only realize his ability to transfer his emotions to another person by some such desperate and radical expedient as tearing your first tragic love story out of your heart and putting it on pages for people to see.

That, anyhow, is the price of admission. Whether you are prepared to pay it or, whether it coincides or conflicts with your attitude on what is ‘nice’ is something for you to decide. But literature, even light literature, will accept nothing less from the neophyte. It is one of those professions that wants the ‘works.’ You wouldn’t be interested in a soldier who was only a little brave.

In the light of this, it doesn’t seem worth while to analyze why this story isn’t saleable but I am too fond of you to kid you along about it, as one tends to do at my age. If you ever decide to tell your stories, no one would be more interested than,

Your old friend,

F. Scott Fitzgerald

P.S. I might say that the writing is smooth and agreeable and some of the pages very apt and charming. You have talent — which is the equivalent of a soldier having the right physical qualifications for entering West Point.

From F. Scott Fitzgerald: A Life in Letters via BrainPickings.Org

Wonder what happened to Frances’s and Scott’s relationship after he wrote this? In my experience, once I tell a friend or relative the truth about writing – which usually boils down to “It’s hard and you’re not pushing yourself enough” – I never hear from them again.

About LB

Larry Brody has been profiled in such national magazines and websites as Esquire, Entertainment Weekly, Starlog, People, Electronic Media, IndieSlate, TechTV, io9, and of course TV Guide. A legendary figure in the television writing and production world, with a career going back to the late ’60s, Brody has written and produced literally thousands of hours of network and syndicated television. Brody has also been active in the TV animation world, writing, creating, consulting, and/or supervising the cult favorite STAR TREK animated TV series, the SILVER SURFER, SPAWN, SUPERMAN, SPIDERMAN, and SPIDER-MAN UNLIMITED animated series, and was showrunner of the French animated series, DIABOLIK, as well as part of the team that developed and wrote the live-action/cgi animation sci-fi series Ace Lightning for the BBC. Shows written or produced by Brody have won several awards including - yes, it's true - Emmys.

One thought on “LB: Another Reason Why You Shouldn’t Ask Writers to Read Your Writing

  1. geraldsanford says:

    Damn! I remember QM asking me to read a script by someone called ‘LARRY BRODIN’ or something like that. I did. And naturally hated it! Which surprised Quinn a bit, becaue he liked it! “Liked it?! You liked that piece of s…?! Well, out of the goodness of my heart — and losing a job — I called this so-called “writer” in! The kid’s name was “Brody” not “Brodin”! Who later replaced me at QM! Moral of this story: “Beware of Brodys in Brodin’s clothing!” gs

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