Ah, the kind of nonfiction we all love!
Diane Ruggiero-Wright has written and produced a number of TV shows, including the cult classic Veronica Mars. She’s the co-creator of the new show iZombie — about a zombie who pretends to be a psychic and solves murders — which premieres on The CW on Tuesday.
But she wasn’t always a TV writer. Back in the late ’90s, she was working as a secretary with a temp agency. After a couple of years, she was offered a full-time job.
“I was in the new office that I was assigned to with the ficus tree and I just thought, ‘This is it, man. It’s me and this ficus staring out the window with this job that I hate if I don’t make a big decision now,’ ” she says.”
“So I quit to write and could not write a word — like the worst writer’s block ever.”
To make ends meet, she worked at a restaurant called Park and Orchard in East Rutherford, N.J. She had a regular customer who would come in on Tuesday nights with his daughter. One night, he asked her what she really did — assuming that she wasn’t a full-time waitress.
“I said I was a writer, which I wasn’t. And he said he was a writer, too, and asked to read something. And I just blew him off ’cause I figured, ‘Whatever, everyone’s a writer.’ ”
Ruggiero-Wright had another regular who would come in and work on his laptop on Sunday nights — always just before closing time, which made the waitresses crazy.
“One day I completely lost my patience and said, ‘You know, you’re not the only writer,’ or something ridiculous like that,” Ruggiero-Wright says. “And he said, ‘Oh, you’re a writer! I have a friend who’s a successful writer. Maybe he could help you.’
“And again I just blew him off. You know, it’s East Rutherford, N.J. — you’re not gonna think that someone’s this hugely successful playwright that you’re seeing once a week.”
A year went by. One night, she finally saw those two regulars — the one who claimed to be a writer and the one who claimed to know a writer — having dinner together.
The Tuesday regular with the daughter was a writer named Mark St. Germain. He was, indeed, a hugely successful playwright, as well as a writer for The Cosby Show.
He then asked her, once again, if he could some of her writing. “I said, ‘Oh my God, please! But I only have 10 pages.’ ”
Those pages were the beginning of a screenplay about a suicidal writer who couldn’t commit suicide because she had writer’s block and couldn’t write the note. St. Germain put her on a writing schedule, and each Tuesday when he came back to the restaurant, she would give him 10 more pages.
“Once I started writing, you know, once Mark put me on a schedule … that’s when I felt, for the first time, like myself in my life.”
St. Germain promised that if the finished script was good, he would give it to his agents. He made good on that promise, and things started to change for Ruggiero-Wright.
She got picked up by an agent who lived across the hall from screenwriter Nora Ephron (When Harry Met Sally, Sleepless in Seattle). Ephron liked the script and got Columbia Pictures to buy it for her.