Agents of S.H.I.E.L.D. – The Interviews!

We admit it. We’re really feasting on MARVEL’S AGENTS OF SHIELD. (Yeah, there are supposed to be some dots there in the last word, but c’mon, you know how hard that is to type?)

As we were saying, we ache with fanboy love for the show and just in case you do – how could you not? Dammit! – here’s the most interesting article on it we’ve seen to date:

by Emily S. Whitten

Whitten-Art-131001-1It’s stating the obvious to say that the modern Marvel movie machine has managed both to churn out a slew of awesome, successful movies, and to not fall into the trap of assembly-line production – in other words, that the movies, while they’ve built on each other beautifully and gained momentum with each new release, are all pretty unique and true to the characters and storylines they draw from. But how does that translate when Marvel tries to move such epic stories, in both scope and character, to the small screen? Pretty well, it turns out, with Joss Whedon and co. running the show.

The Agents of S.H.I.E.L.D. pilot aired Tuesday the 24th, and proved that it ispossible to tell small screen stories against the background of the current Marvel cinematic series. In fact, it gives the opportunity to tell larger stories with less – as in the pilot, where the plot builds on the fallout from The Avengers and the Battle of New York. Without showing the grand, epic event, the show is able to easily reference the new state of the world for both S.H.I.E.L.D. and ordinary citizens. Watchers who have seen the movie will instantly understand the world-building at work; and even those who somehow missed the movie will easily pick up on it and understand why as the series begins, S.H.I.E.L.D. is finding its place as “the line between the world and the weirder world.”

That weirder world could not be in better hands than those of Joss Whedon and his team. The pilot is an excellent blend of Whedon show elements that we know and love – witty banter, engaging characters (including women!) kicking ass and taking names, cameos of actors from previous Whedon projects (Ron Glass! J. August Richards!), and a mixture of action, adventure, wonder, mystery, and heart; and the Marvel canon and characterization that Marvel fans live for. The S.H.I.E.L.D. character we’ve come to love from the movies, Coulson, continues to be characterized as an endearingly geeky guy, and yet is now developing into a leader as well; and the new characters, like Skye, Ward, Fitz, Simmons, and May, are already, in one episode, fleshed out enough for viewers to care about what happens to them next.

We also get to see glimpses of the Marvel cinematic universe in elements such as Maria Hill’s appearance, and the involvement of the Extremis virus. There are little Easter eggs for Marvel fans (like the almost-but-subverted-at-the-last-second Spider-Man quote); and references to people cosplaying as their newly discovered in-world superheroes, the Avengers. And most interestingly, from the very first, we are introduced to a take on S.H.I.E.L.D. that’s not entirely heroic – a S.H.I.E.L.D. that exists in the gray area of trying to protect Earth’s inhabitants from danger, and running the risk of becoming the invasive danger that people may have to fear. There’s an obvious analogue to the real world’s decreasing respect for privacy, and it’s accompanied by a serious (and seriously depressing) take on the current real-world economy and our displaced, unanchored work force of unemployed or marginally employed adults. Despite those themes being pretty darned depressing, I was happy to see them tackled head-on, and will be interested to see where the writers go with that next.

Speaking of the writers, at SDCC this year I sat down to chat with the writers and cast of the show, and now, I get to share those chats with you! (And although sadly my battery died too soon, I can also share a couple of short video clips of Joss Whedon and Clark Gregg, along with newly-uploaded clips from the Psychpress room, I Know That Voice panel, and more.) Enjoy!

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