Lew Ritter TV Review: MAD DOGS – The Vacation from Hell

By Lew Ritter

CAUTION: HERE LIE SPOILERS!

Have you ever dreamed of getting an invitation to visit a tropical getaway from an old friend? As the old saying goes, “Be careful what you wish for.”

MAD DOGS was adapted by veteran showrunner Shawn Ryan from a British show of the same name created by Chris Cole.

In the U.S. version, which ran on Amazon Prime, Milo (Billy Zane) is the embodiment of the American Dream. He’s young, retired and wealthy. He’s invited four old friends to join him for some fun and the sun at his palatial villa on the sun -drenched beach in Belize, an island off the coast of South America It’s a luxurious villa that even Bill Gates or Mark Zuckerberg might envy.

At first, the friends frolic in the warm tropical waters on the beaches adjacent to Milo’s palatial estate. It seems to be a perfect weekend getaway. They eat at a magnificent four- star restaurant. And to the amusement of the other friends, Cobi (Steve Zahn), brings one of the local girls back to the estate for a night of unforgettable sex.

However, after the initial bonding has worn off, the friends start to notice subtle changes in Milo. Despite the appearance of wealth and luxury, all is not well with him. Below the tranquil surface, quiet tensions and hostilities make themselves felt,l especially after he makes an eerie promise that if anything happens to him, the friends will become owners of the estate. To further complicate things, he begins receiving menacing calls.

Each of the main characters has suffered misfortunes in their personal and business lives. Lex (Michael Imperioli) is a lifelong screw-up with addiction problems. Cobi works in finance and appears to be the only one still happily married. Gus (Romany Malco) is a former lawyer who has been disbarred and apparently works in the antique business. Joel (Ben Chapin) is the wariest member of the group. He senses early on that something is amiss with the reunion.

In a shattering conclusion to Episode One, the friends are assembled for an evening of innocent fun. Suddenly the calm is shattered by an arrival of a mysterious character dressed as a cat. The cat sneaks into the dining room and pulls his gun. Before anyone can stop him, he splatters Milo’s brains all over the dining room table.

In shock, the friends realized that they have become involved in something truly deadly. Each of the following episodes depicts their desperate attempts to extricate themselves from Milo’s tragedy, leading to them diving deeper into the morass and further into trouble.

They attempt to return the yacht Milo has been using and discover a hidden trove of stolen drug money. They attempt to rent a car and find a safe place to hide the money and wind up being observed by the local police and involved in a car accident. Lex end up in the hospital from an overdose, Joel and several others find themselves in a local jail.

THE GOOD:

The cast is energetic and enjoyable. Standouts are Billy Zane who makes the perfect smiling cobra of a villain and Michael Imperioli (Lex), who has been a personal favorite of this writer since playing Tony Soprano’s cousin. (He also was a standout as a detective in two short lived detective shows LIFE ON MARS AND DETROIT 187.) Here, he has the penetrating gaze and manner of a police detective and dominates every scene that he is in. And Steve Zahn, who normally plays the sad sack or comic relief character in big screen comedies or rom-coms, shows surprising dramatic depth in MAD DOGS as the tragic Cobi.

Some of the best moments of the show are during the quiet moments as the characters reflect on the shambles of their lives. As they face the wrong turns they took that led to their predicament, they, and we, realize that the four characters are much further from each other than first believed.

THE BAD:

The show would work better as a spirited two-hour movie rather than a ten episode mini-series. In every episode, the friends engage in some desperate attempt to remedy their situation. Each of the characters chooses one bad option after another, which further complicates their already tenuous situation. This works for the first few episodes, but soon feels repetitious and predictable and works against any need a viewer might have for binge-watching.

The fact that at the end of the series, we learn that the usual suspects – the CIA, corrupt police, and drug gangsters – all were involved with Milo is a major creative letdown…a reason to be glad I didn’t binge on this show.

To me, the biggest betrayal to viewers, though, stems from something I really liked – the discovery that the characters’ lives have been deeply troubled and that they aren’t nearly as close as they’ve liked to think. This fact flies in the face of Milo’s motivation for wanting to ruin their lives

CONCLUSION:

There is one saving grace to this version of MAD DOGS. The irony inherent in the fact that Milo’s motivation for wanting to ruin the lives of his friends has been that he thought they were all so much happier and better off than he was. In the end, his revenge proves to be – nothing.

Speaking of the ending, it’s structured so that most of the characters have escaped back to America. Only one of them remains in Belize and appears ready to take over where Milo has left off.

In context, this creates a somewhat interesting cliffhanger. Will the others be lured back to help their friend? Amazon clearly hasn’t become interested enough. The show has been cancelled.



Lew Ritter is a TVWriter™ Contributing Writer. Learn more about him here.

GOLIATH: A slingshot loaded with compelling legal drama

TV Series Review by Lew Ritter

GOLIATH is an old fashioned legal drama created by David E. Kelley and Jonathan Shapiro. It is currently streaming on Amazon Prime.

Both co-creators are veteran writers with extensive legal and TV writing background. David E. Kelley is the veteran writer/producer with extensive credits going back to the 80’s with shows such as L.A. LAW, PICKET FENCES and more recently BOSTON LEGAL.

GOLIATH is about a down and out lawyer taking on a simple case that uncovers a far more deadly conspiracy. The stakes are higher than expected not only for the client but for the protagonist, Billy McBride, who needs the win in order to jumpstart his career and give him back his life.

Billy Bob Thornton plays Billy, a onetime powerhouse lawyer, whose career has fallen on hard times. At the beginning of the series, he has just been released from jail. As a Public Defender, he is too drunk to even remember his client’s name. He even wears a sleep apnea machine in bed. He lives in a dilapidated suite of rooms in a seedy motel in a once trendy section of Santa Monica and spends his days drinking in a dive bar and chasing small civil cases to earn a living.

The irony is that McBride was a co-founder of Cooperman-McBride, a Goliath of a law firm with branches all around the world. This time out, he is hired to handle a simple civil suit to obtain modest damages for a family whose husband committed suicide aboard a boat.

Billy, however, quickly uncovers discrepancies in testimony that expose a more sinister conspiracy by Cooperman-McBride. Its client is Born Tech, a defense contractor with deep pockets and even darker secrets. The official report indicates that the man’s boat blew up. However, the video captured by a nearby fishing vessel indicates a multi- magnitude explosion that created a huge tidal wave which nearly capsized the fishing boat.

The story features Billy and his spunky band of legal eagles as David taking on Goliath. Billy takes the case in order to get back at Donald Cooperman, his former partner. Cooperman had suffered some unexplained accident that left burn marks on half his face. He rarely leaves the confines of his office and spends most of the day spying on his employees.

The series is full of terrific scenes depicting complex legal maneuvers and sparring over the testimony of witnesses. The lead attorney/partner on the case argues with Cooperman to drop the case and settle before the case explodes. At every turn, she is overturned by Cooperman’s hatred and disdain for Billy.

The disdain proves to be totally unfounded. Every time the Cooperman lawyers attempt to place a legal stumbling block in Billy’s path, he outmaneuvers them. At the end of Episode Two, the judge dismisses the case on a legal technicality. Billy lambastes the judge for bias. The enraged judge charges Billy with hefty fines for contempt of court. However, there is a method to Billy’s madness. It allows Billy to introduce new evidence and keep the case open.

Thornton is at the top of his game as Billy McBride. Thornton is an A-List actor, who dominates any scenes that he is in. He brings a surprising depth and aura of menace to his role. He is capable of dealing with the same unscrupulous tactics needed in order to defeat his adversaries at the Cooperman firm.

The standout cast includes Maria Bello, as Billy’s embittered, ex-wife and Nina Ariana as Billy’s spunky partner. She’s fearless and hilarious as a low- rent lawyer/real estate agent who brought Billy into the case. Tania Raymond is winning as the vulnerable Brittany Gold. Harold Perrineau is a standout as the judge who manages the courtroom circus with his dignity intact.

GOLIATH never stops providing surprising plot twists and great episode ending cliffhangers. At the end of Episode Two, after winning a small victory, one of the characters is struck down by a hit and run meant for McBride. At the end of Episode Three, the reclusive Cooperman lures one of the young associates up to his penthouse office to seduce her. And at the end of the series, the mega law firm is served a well- deserved defeat.

The show is a solidly entertaining legal thriller that benefits from Billy Bob’s strong lead character. The writing gives us as many compelling characters as plot twists, and even a happy ending, with Billy McBride seemingly back on course as a successful lawyer.

There are, however, other plot threads left dangling that support a potential Season Two. The show doesn’t break new ground, but it delivers a good dose of binge-watching pleasure that I look forward to re-experiencing when Amazon brings it back.


Lew Ritter is a TVWriter™ Contributing Writer. Learn more about him here.

‘Longmire’ Proves Hard to Kill

by Doug Snauffer

As the TV landscape continues to diversify, it’s nice to know there’s still room for an old-fashioned show like Longmire — even though it’s survival has included a number of last-minute reprieves.

Based on the novels by best-selling author Craig Johnson, Longmire is best described as a modern-day Western. It’s protagonist, Sheriff Walt Longmire (Australian actor Robert Taylor), upholds the law in Absaroka County, Wyoming. Walt is a widower who lives in a small secluded cabin on the edge of the Big Horn Mountains.

When he’s not on the job, he spends his free-time drinking Rainier beer and pining over his recently deceased wife. When he’s on the job, Walt Longmire is a force to be reckoned with. He’s a large man who — as far as Western lawmen go — is reminiscent of Gunsmoke‘s Matt Dillon (Although at 6’7″, James Arness had 5 inches on Taylor.). Walt is capable, strong-willed, dedicated, and has proven to be hard to kill — even by short-sighted TV executives.

Robert Taylor stars as Sheriff Walt Longmire in the Netflix original series Longmire.

Longmire debuted on A&E in June of 2012, and continued to play as a summer series the following two seasons. It was A&E’s highest-rated scripted program, pulling in an average of 3.7 million viewers each week during it’s third season.

Then in August of 2014, just as it’s third season was coming to a close, A&E shocked Longmire devotees by cancelling the show. They explained that despite it’s impressive numbers, “the series found its largest audience amidst a specialized demographic.” In other words, 3.7 million people may have been watching Longmire, but they were the wrong 3.7 million people. They were over the age of 34.

They proved to be a surly lot, however. Fans rallied back in one of the most comprehensive protests ever geared towards the cancellation of a TV series. Meanwhile, Longmire‘s production company, Warner Horizon Television, began looking for a new home for their show.

Lou Diamond Phillips as Henry Standing Bear, best friend and confidant to Sheriff Walt Longmire.

They sent proposals out to all the major players, but from the start they were eyeing either Amazon or Netflix. Their efforts were soon rewarded. Just a scant three months after A&E’s surprise cancellation, Netflix picked Longmire up for a fourth season, which premiered in the fall of 2015.

A fifth round of episodes in the fall of 2016 received a warm welcome by fans, who binge-watched the season in large numbers. Rumors had begun to circulate over the summer that these would be the final batch of episodes, but once again the program persevered, and the streaming service officially announced a six go-round of Longmire was in the works for 2017.

(Left to right) Adam Bartley, Katee Sackhoff, and Robert Taylor take a knee in Longmire.

Walt’s posse includes sassy deputy Victoria ‘Vic’ Moretti (Katee Sackhoff), who harbors romantic feelings towards her boss, deputy Jim ‘Ferg’ Ferguson (Adam Bartley), a dedicated officer often inapt in his duties, Walt’s daughter Cady (Cassidy Freeman), an attorney who is every bit as pertinent as her dad, and Henry Standing Bear (Lou Diamond Phillips), owner of the Red Pony bar and Walt’s best friend and confidant.

Absaroka County is also home to a Cheyenne Indian reservation, where local businessman and resident villain Jacob Nighthorse (A Martinez) has just opened a gambling casino that Walt fears is a front for illegal activity. Malachi Strand (Graham Greene) is Chief of Security for the casino, and Mathias (Zahn McClarnon) is head of the tribal police.

Robert Taylor (left) and A Martinez (right) in a scene from Netflix’s original series Longmire.

Rounding out the Longmire universe is Ruby (Louanne Stephens), Walt’s office manager and dispatcher, Travis Murphy (Derek Phillips), a naïve, near-do-well deputy-wannabe who has somehow managed to steal Victoria’s affections, and Dr. Donna Sue Monaghan (Ally Walker), a psychiatrist introduced in season 4 who has awakened feelings of passion in Walt for the first time since the death of his wife.

Longmire is a far cry from most TV crime procedurals. It’s filmed largely on outdoor locations at a deliberately slow place, and the scripts rely heavily on character development. It consists of 10-episode seasons (with the exception of it’s second year, which contained 13). But the writing is above par and the story arcs (typically one major thread per season) are intriguing and satisfying.

The characters are all multidimensional and exhibit self-destructive behavior. They’re as much a threat to themselves as any of the contemporary outlaws they go up against. Walt has a need to do things his own way, whether he’s acting within the bounds of the law or not — and his deputies tend to take their leads from him.

Longmire (Netflix). Walt’s best friend, Henry Standing Bear (Lou Diamond Phillips), is taken into custody by Mathias (Zahn McClarnon), head of the Cheyenne tribal police.

I do have one problem with the series, however. With Walt, Vic, and Ferg so wrapped up in their cases, I have to wonder who is handling other police business. Don’t they ever write speeding tickets?

Production on Longmire is set to resume in March, and the new season should begin streaming this fall. But word has already begun to float that these next 10 episodes will be — yeah, that’s right — the series’ last. We’ll see what Walt Longmire has to say about that.


TVWriter™ Contributing Editor Douglas Snauffer is an Ohio-based freelance writer. His work has appeared in myriad publications and on SyFy Channel and includes several cult horror films and the books The Show Must Go On and Crime Television. Learn more about him HERE

A Trip to ‘Emerald City’ (POV #2)

EDITOR’S NOTE: Time now for the second perspective on Emerald City. Which do you agree with, #1 or this one, #2?

Characterization, Emerald City style. Right – it isn’t there!

by Robin Reed

It’s not that I object to a new take on L. Frank Baum’s Oz stories. I read Philip Jose Farmer’s “A Barnstormer in Oz.” I tried to read Gregory Maguire’s “Wicked” (and I just now learned that there are three more books) but Maguire managed to make a magical, enchanted land boring. I haven’t seen the musical based on his book. The original books are in public domain, so new versions are inevitable.

I was in college when I first saw “The Wizard of Oz” with Judy Garland in color. The change from black and white to color was wasted on me before that because I only saw it on black and white TVs. I have liked it ever since. I’m not a big musical lover, but the comedy and vaudeville shtick made me like it.

I have read several of the books by Baum. The second book is about a boy named Tip who escapes the witch who is holding him and treating him like a slave, travels to the Emerald City, and discovers that he is a girl, in fact the princess Ozma. He’s not too happy about the change at first, but learns to like being a girl and is in many other books as Ozma.

This story is part of “Emerald City” on NBC, as are other elements drawn from other books. I looked forward to the show when is was announced, but I’m afraid I have given up on it after two episodes. It looks great, they must shoot in exotic locations, but I just don’t care about the characters. Dorothy is an adult, and has a pistol because she travelled on the tornado in a police car. Her Toto is a police dog, a German Shepherd. The scarecrow is a hunky guy, a lion in a cage is shown but its level of cowardice is unknown so far.

As I said, it’s not the adult themes and situations I object to, it’s flat characters and a plot that doesn’t interest me. Vincent D’Onofrio would be better without being buried in a wig and beard.

In the age of CGI, someone will someday make a wonderful, magical Oz movie or TV show, with characters from the books that would be hard to do without computer animation. “Emerald City” is not it.


A former student in TVWriter™’s Online Workshop, Robin Reed is a writer and cartoonist known mostly for her fantasy and science fiction work. If you haven’t read her Powers series of books you’re missing a treat.

Diana Vacc sees ‘Emerald City’ (POV #1)

EDITOR’S NOTE: We didn’t mean to play “Dueling Emerald City”s, but as fate would have it, we find ourselves with two very different reviews of the same show to share. Which is cool because, seriously, what kind of world would it be if everybody always agreed?

Here’s #1:

by Diana Vaccarelli

On January 6, 2017 NBC introduced a new show called Emerald City. This series is a modern re-imagining of The Wizard of Oz. This time around Dorothy is a nurse in a nursing home and is in the wrong place at the wrong time. Dorothy is then swept into Oz in a police car during a tornado.

THE GOOD:

  • The Writers, David Schulner, Matthew Arnold, Josh Friedman, Justin Doble, and Nichole Beattie, of this show are truly remarkable with how they have redesigned this classic story is truly breathtaking. The dark tones and how Dorothy is a kickass woman is a true testament to their talent to tell a story. So glad Josh Friedman is part of this show as he is one of the writers of Terminator, The Sarah Connor Chronicles, a show which I feel ended to early.
  • Watching the show, I felt as thought I was in different world. Dorothy is out of her element in a strange new world and we as the viewer should feel the strangeness that she is – and the production does this beautifully with the set designs and costumes.
  • The chemistry of the actors is nothing short of brilliant. Mainly between actors Adria Arjona (Dorothy Gale) and Oliver Jackson-Cohen (Lucas aka Strawman). I sense a romantic relationship building between these two as the show progresses.
  • A big surprise for me was Vincent D’Onofrio as the beloved Wizard. The Wizard in this retelling is a tyrant. He rules with a iron fist and manipulates the people of Oz to believe the Witches are a great evil he alone can control them. I like this because there are so many places you can take this route with a character like this.

THE BAD:

The only real criticism I have of the show is the casting of Ana Ularu as West. I feel that she overacted the part and should bring it down a notch.

THE REST:

Emerald City left me intrigued and wanting more. Specifically, the relationship between Dorothy and Lucas. I’m a sucker for romance. I’m excited to see where they take this in the series. I recommend this show for people who are into fantasy stories. If you’re not into retelling of classic stories, or if recent political events to which this show may be referring have you down, then you may want to keep away.

munchman sees ‘The Mick’

by munchdaddy

…and yer friendly neighborhood munchlinio lurves it!

THE GOOD:

  • Kaitlin Olson
  • The outrageous depravity of Kaitlin Olson’s character, Mickey, AKA The Mick
  • The writing that gives Kailin Olson so much to work with while inhabiting Mickey, AKA The Mick
  • The writing that actually makes each episode of this series (okay, yeppers, I’ve only seen two, but I’m definitely coming back for more) not just Kaitlin Olson AKA Mickey AKA The Mick being funny but also makes each ep about something, in that way that old folks are always saying TV used to be (Was BONANZA ever “about” something? Really?)

THE BAD:

  • Kaitlin Olson’s character, Mickey, AKA The Mick isn’t exactly somebody we haven’t seen before. It is, in fact, very, very, very much like the character she plays on a little show called Always Sunny in Philadelphia (but who the hell cares? The more KO AKA M AKA TM the better, dammit!)

IN OTHER WORDS

Watch this show. Make your friends watch it. Make your family – you know, those phoney baloneys who always say they’re “disappointed” in what you and your generation create and enjoy – watch ittoo. Maybe they’ll learn something. Even if they don’t, maybe their eyeballs will get The Mick renewed. Again and again and again.

Retro Review: ‘The Girl With Something Extra’

by Doug Snauffer

Like many other independent channels, Get TV kicked off the New Year by revising its programming lineup. One change in particular was the addition of an obscure sitcom from the early 1970s entitled The Girl With Something Extra (NBC, 1973-74).

Most people will have no memory of this short-lived domestic sitcom. It ran for just a single season of 22 episodes before being cancelled unceremoniously by NBC and relegated to deep storage.

Those who do recall the program most likely remember it as a starring vehicle for acclaimed actress Sally Field. She was just 26-years-old when she began work on The Girl With Something Extra, yet she was already a seasoned veteran, having starred in two previous comedies, Gidget and The Flying Nun.

Her third effort cast her opposite the multi-talented John Davidson, an accomplished singer and actor who’d also hosted his own talk show in 1969, as newlyweds Sally and John Burton, who face an unusual dilemma—she has ESP and can read the minds of those around her, including his.

Sally Field and John Davidson in their 1973-74 sitcom The Girl With Something Extra.

Early on, John argues that the situation isn’t fair because it puts him at a disadvantage—she can lie but he can’t. Not about anything diabolical of course, just the little white lies that can save another persons feelings. In an early episode, John—while kissing Sally—has a vision of his celebrity-teen-crush Annette Funicello in a bikini. Sally picks up on it and is furious.

Sally later explains that when she was a young girl her best friend went off to camp for the summer, and when she returned Sally immediately sensed that she was no longer as important to the girl as she’d once been. That all her life she’d been able to read people’s true feelings about her, personal thoughts that most people really wouldn’t want to know. John was then able to realize that both he and Sally were at a disadvantage, but if they both really truly loved each other it was something they’d be able to overcome.

Field was very good in the role. She has that strong screen presence that kept the networks interested in working with her, and eventually launched her into feature films. Davidson is good too, and together he and Field made an attractive couple. They have chemistry together, particularly in their dramatic scenes. Those are the moments in which both leads really shine and when the series is at it’s best.

The real problem with The Girl With Something Extra was in the writing. It’s the type of program that in the 1980s would be branded a “dramedy,” a genre and term that quickly became extinct. The writers didn’t seem to know which direction they wanted the show to go in—was it a comedy or drama, an old-fashioned comedy or an attempt to explore the trials and tribulations of a modern marriage in the liberal ’70s.

Sally Field’s character had ESP and could read minds. I’m thinking John Davidson was one lucky guy.

The series did have the benefit of a strong supporting cast. Jack Sheldon played John’s brother Jerry, and Zohar Lampert was Sally’s best friend, Anne. Henry Jones and William Windom, two of television’s best and most recognized character-actors, had recurring roles as Owen Metcalf and Stuart Kline, the senior partners at Jack’s law firm.

It all sounded like a recipe for success—or might have a decade earlier.

MeTV has scheduled The Girl With Something Extra weekday mornings at 7:20 a.m. following Nanny and the Professor (ABC, 1970-71) and The Ghost and Mrs. Muir (ABC/NBC, 1968-70). Appropriate company; Both of its lead-ins were shows about couples in which one partner had supernatural abilities.*

Other programs that The Girl With Something Extra can be favorably compared with include Bewitched (ABC, 1964-72), I Dream of Jeannie (NBC, 1965-70), My Living Doll (CBS, 1964-65), and My Brother the Angel (CBS, 1965-66). These shows all debuted in the 1960s when such fantasy concepts were in vogue with TV viewers.

By the early 1970s, though, the television landscape had begun to change. CBS ditched their rural sitcoms in favor of more sophisticated comedies like All In the Family (CBS, 1971-79) and Maude (CBS, 1972-78). NBC placed The Girl With Something Extra on Friday evenings at 8:30 following its established hit Sanford and Son (NBC, 1972-77).

Sanford and Son co-stars Redd Foxx (left) and Demond Wilson (right) were a hit, but their lead-in couldn’t save The Girl With Something Extra.

The scheduling choice seems to indicate that NBC had very high expectations for The Girl With Something Extra.  At the time in 1973, Sanford and Son was the #2 rated program on TV, making the time-slot following it choice prime-time real estate.

Unfortunately, the two shows simply weren’t compatible.  Sanford and Son was a gritty sitcom with an all-black cast that was fueled by race-inspired humor.  The Girl With Something Extra was an old-fashioned, fantasy-tinged sitcom about a young, upwardly-mobile, upper-middle class white couple who lived in a loft they couldn’t possibly afford. (Say that three-times fast.) NBC obviously gave it the post-Sanford and Son birth in the hope it would retain the large audience enjoyed by its lead-in. But that simply wasn’t the case. Viewers of Sanford and Son tuned out in droves at the bottom of the hour.

By midseason, the network realized its error and in January, in an effort to salvage the program, moved it from 8:30 to 9:00 (in the process cancelling the freshman sitcom Needles & Pins, which had been occupying the time slot). The move, however, failed to improve the shows performance, and The Girl With Something Extra was cancelled in March of 1974.

Sally Field of course moved on to success in both television and feature films, earning accolades for her roles in the TV miniseries Sybil (1976) and feature films like Smokey and the Bandit (1977) and Norma Rae (1979), while John Davidson continued to pursue both his singing and acting careers. He again hosted his own talk show (NBC, 1976; syndicated, 1980-82) and in 1986 became emcee of The New Hollywood Squares (syndicated, 1986-89).

Only angels have wings, but that didn’t stop Sister Bertrille (Sally Field) from taking flight in The Flying Nun.

Fields’ earlier efforts, Gidget and The Flying Nun have both played in syndication, but The Girl With Something Extra has been buried since it went off the air in 1974. Now, thanks to retro-TV networks like Get TV, viewers have an opportunity to see it again, along with many other obscure and mostly forgotten programs like it.

________________________________

* The nature of Nanny’s incredible intuition was never explained, and she and Professor Everett maintained a platonic relationship, yet had the series continued I suspect romance might have blossomed. And Carolyn Muir and the late Captain Daniel Gregg also maintained a chaste association, but there was an undeniable attraction between the two. It always confused me that the Captain could be seen and heard when he wanted to be, and could interact with the living. So why didn’t he simply do so and claim to be one of his own descendants, and marry Carolyn? Perhaps he would have, but like Nanny and the Professor, the run of The Ghost and Mrs. Muir was cut far too short.


TVWriter™ Contributing Editor Douglas Snauffer is an Ohio-based freelance writer. His work has appeared in myriad publications and on SyFy Channel and includes several cult horror films and the books The Show Must Go On and Crime Television. Learn more about him HERE